This is strange, gentle reader, in that the blog you are reading right now, this very one, was actually written on April 5th. In true time traveler fashion, I'm jumping to the future to tell you about the awesomeness that is the new season of Doctor Who. Actually, that's simply not true; I'm just watching the shows on BBC1, whereas I'm sure most everybody else is going to be watching it two weeks later on BBCA. So to simplify, I'm just post-dating my write-ups! Exciting!
So the new season of Who starts off with a bang, literally -- the TARDIS crashing into the garden of young Amy Pond. Even from the opening minutes, it's clear that there has been a shift from the Russell T. Davies-style Doctor Who to the Moffat-style Who. Even two or three minutes in, 'The Eleventh Hour' displays more clarity, complexity and focus than 'Rose', 'Smith and Jones', or 'Partners In Crime'. Perhaps in the case of 'Rose', it's the benefit of not having to just put
something on the air to start the series, but 'The Eleventh Hour' feels overall better as an episode. It's rewatchable, at least, which is more than can be said about some of the other 'new Doctor/new companion' episodes. Since I'm all about lists, let's make a list of what's great, and what's not so great.
AWESOME: Matt Smith as the new Doctor. Following the immensely popular Tennant run, being the new Doctor seemed like impossible shoes to fill. Fortunately, Smith does it effortlessly. He maintains some of the goofy charm that Tennant had, and even some of the dickish qualities that were hilariously endearing (such as the whole 'food tasting' scene, which was fantastic). I'm sure he'll lose some of the Tennant mannerisms as he goes along, but as it stands now, the new Doctor is fantastic, and is definitely worth watching to see which direction he'll be taken.
NOT SO AWESOME: The new theme. The Doctor Who theme has never been fantastic, but the current version is even more lackluster than the previous one. It seems as if Murray Gold, the track composer, simply took the previous version, scrambled some of the notes up, and called it good. It's not memorable, or particularly exciting. It's just meh.
ON THE FENCE: The legend of The Doctor. Once a tentpole of RTD's run (i.e. 'I'm The Doctor, be afraid'), it led to some sloppy storytelling. At the end of this episode, The Doctor even calls back an alien to tell them who he is, and then tell them never to come back. It didn't feel right, and seemed like an excuse to show a montage of previous Doctors as well as a relatively neat introduction of the 'official' new Doctor.
AWESOME: The new companion. It's sort of a running joke that every new female companion is 'strong willed' and 'defiant' and 'not in love with the Doctor', before immediately derailing into 'listens to the Doctor', 'in love with the Doctor' and 'trusts the Doctor'. I have hope that maybe this time they'll actually follow through and have a strong, independent companion, and Karen Gillian as Amy Pond seems to fit that mold. She is displaying dangerously Rose-level Doctor love, but hopefully that'll be something that gets wrapped up early on, and we're not subject to another 'great timeless love' angle that we saw in Series 2. The new companion is funny, somewhat capable, and definitely easy on the eyes. A good pick.
NOT SO AWESOME: The CGI. I mean, even by BBC standards the CGI is awful. This was the season where Doctor Who transitioned to HD, and it's increasingly apparent that the special effects department didn't follow. The bad CGI is endearing, and it's definitely understandable given the show's budget. It's just distracting, like the enormous space eyeballs, or the awful monster-of-the-week worm.
ON THE FENCE: Steven Moffat. I approach Moffat with cautious optimism at this point. On one hand, it's immediately apparent that his touch will be a great bonus to the series. The episode is absolutely fantastic, and is one of the strongest 'new Who' episodes PERIOD, let alone after a changeover like the one from RTD to SM. That said, the episode was a little too familiar. Like seeing the same magician perform a year apart, the tricks are still fantastic, but they're also awfully familiar. The creepy repeated phrase used to great effect here originates in the two part 'Library' episodes. The hospital of creepy chanting people? 'The Empty Child'/'The Doctor Dances'. The part about not looking at something or you're in trouble? 'Blink'. The Doctor meeting a child, and then again as an adult, and being somewhat enamored? 'The Girl In The Fireplace'. It feels like Moffat was revisiting elements of his 'greatest hits' to make the episode, which is not necessarily a bad thing. Maybe he can get all those tropes worked out now so the rest of the season is completely original. Until more information is in, I'm withholding judgment.
Overall, the episode was awesome. It definitely restored my faith going into the new series, and I'm absolutely excited to see where the rest of the season goes.
|